Dances for Health

- Staged by
- Led by Andrey Lyubomir
A weekly movement practice open to everyone: no dance background needed, just a body and a Sunday afternoon. Every Sunday, 14:30–16:00.
Screenings, lectures, exhibitions and guests — everything the theatre makes and hosts beyond its own stage.
Screenings, lectures, exhibitions and guests of past seasons.

Readings including “Dixie and Dixon”, “Russian as Foreign, Udmurt as Native”, “Ansar Shrugs”, “Diary of the End of the World”.

An improvised performance born from the audience's own stories, told right in the hall.

An anti-war exhibition of Russian and Armenian artists. The theatre's community began to form around it.

A recording of the production by Zhenya Berkovich and Svetlana Petriychuk. After the screening the audience wrote letters to the arrested authors and raised 35 000 ₽ for Berkovich's lawyer.

A documentary about Cambodian musicians who faced the genocide. Introduced by Yulia Nakaryakova, one of the film's Russian translators.

A screening and an author's reading in memory of the murdered documentary filmmaker.



Open rehearsals of a philosophical tragicomedy built on dialogues about art by Plato, Hegel, Meister Eckhart and Malevich.

An exhibition-auction in support of Evgeny Pavlovsky, a missing Russian LGBT activist and trade unionist.
A production growing inside the course, at the crossing of the acting and verbatim tracks.
Documentary theatre assembled from interviews in the verbatim track.

Readings including “Dixie and Dixon”, “Russian as Foreign, Udmurt as Native”, “Ansar Shrugs”, “Diary of the End of the World”.

An improvised performance born from the audience's own stories, told right in the hall.

An anti-war exhibition of Russian and Armenian artists. The theatre's community began to form around it.

A recording of the production by Zhenya Berkovich and Svetlana Petriychuk. After the screening the audience wrote letters to the arrested authors and raised 35 000 ₽ for Berkovich's lawyer.

A documentary about Cambodian musicians who faced the genocide. Introduced by Yulia Nakaryakova, one of the film's Russian translators.

A screening and an author's reading in memory of the murdered documentary filmmaker.



Open rehearsals of a philosophical tragicomedy built on dialogues about art by Plato, Hegel, Meister Eckhart and Malevich.

An exhibition-auction in support of Evgeny Pavlovsky, a missing Russian LGBT activist and trade unionist.
A production growing inside the course, at the crossing of the acting and verbatim tracks.
Documentary theatre assembled from interviews in the verbatim track.

Readings including “Dixie and Dixon”, “Russian as Foreign, Udmurt as Native”, “Ansar Shrugs”, “Diary of the End of the World”.

An improvised performance born from the audience's own stories, told right in the hall.

An anti-war exhibition of Russian and Armenian artists. The theatre's community began to form around it.

A recording of the production by Zhenya Berkovich and Svetlana Petriychuk. After the screening the audience wrote letters to the arrested authors and raised 35 000 ₽ for Berkovich's lawyer.

A documentary about Cambodian musicians who faced the genocide. Introduced by Yulia Nakaryakova, one of the film's Russian translators.

A screening and an author's reading in memory of the murdered documentary filmmaker.



Open rehearsals of a philosophical tragicomedy built on dialogues about art by Plato, Hegel, Meister Eckhart and Malevich.

An exhibition-auction in support of Evgeny Pavlovsky, a missing Russian LGBT activist and trade unionist.